Good Sense

Melissa Dereberry's Blog

Archive for the category “Success”

I Oughta Start Shouting

When I was in college, there was this guy who used to roam through the mall, shouting at the top of his lungs—he was sort of a notorious local figure.  My friend told me about him, and I didn’t believe it until one day, I saw him myself.  There he was, this ragged long haired thing, hurling Lord knows what out to no one in particular.  It was impossible to tell what he was rambling about.  He could have been ranting about shooting someone or reciting the words to his latest poem, for all I know, desperate for someone to listen.  Was he a mad man?  A criminal in the making?  Or just a poor, misunderstood sap, a forgotten artist, whose time was long overdue?

A couple of weeks ago, an Ohio homeless man named Ted Williams got national attention after a homemade video of him showcasing his radio voice went viral.  Within a day or two, the man was bombarded with job offers from everyone from Kraft foods to the Cleveland Cavaliers.  He was haggled by every major news network for a spot, appeared on the Today show, was interview by Dr. Phil, and was reunited on national television with his mother, whom he hadn’t seen in 20 years.  The media stuck their tails between their legs when the man went into rehab and was allegedly involved in some sort of altercation with his kids.  He was the classic overnight success—but his five minutes of fame was just that.  Or maybe not.  He will probably come back in a year or two, write a bestseller, and go down in history.  After all, we live in a time when shock value sells.

After the terrible tragedy in Arizona recently, I caught a news story on cnn.com that had published some of gunman Jared Loughner’s poetry.  A madman, turned poet.  Not only that, but a mad man, published.  For all eternity.  An instant audience because he decided to go haywire and shoot people.

Why?   In an age where Snooki can write a bestseller, the rest of us writers—or anyone with a serious, viable skill—might be in trouble. 

As a writer, I deal with rejection and the lack of measurable reward or feedback on my work every single day.   It doesn’t really bother me, any more, if people don’t read my stuff, or if a publisher says, “No thanks.”  But what does bother me is indifference—or worse, complete disregard.  An agent, for example, who doesn’t even bother with so much as a form letter, in response.  An editor who won’t even acknowledge receipt.  It’s a tough business, I know—not for the thin-skinned.  But seriously.  What do I have to do to get noticed?

Can I have my five minutes, please?  Without doing anything crazy, illegal, or stupid? 

 There’s a song I like on the album Pablo Honey by Radiohead that goes,

And the wise man say, I don’t want to hear your voice

And the thin man say, I don’t want to hear your voice

And they’re cursing me and they won’t let me be

And there’s nothing to say, nothing to do

Stop whispering, start shouting

Stop whispering, start shouting

 

Don’t want to hear my voice?  Maybe I oughta start shouting.

Let Them Get Messy

Rows upon rows of art projects line the halls of the school where my kids attend.  Except for a few variations in color and placement, all of them are pretty much the same—not art, exactly, but crafty replicas from an instruction sheet or a prepackaged kit.  I know from experience volunteering in my daughter’s kindergarten class that trying to get twenty kids through a craft project can be a daunting task, especially when there are only ten minutes to do it.  Letting twenty kids loose with materials to make whatever they want?  That would take forever, and it would make a mess.  True creativity is a luxury rarely seen in our schools, and this fact may be way more detrimental to our kids in the long run than we ever imagined.  Being creative is an invaluable skill because life is unpredictable, messy, and there’s no definitive way to navigate it.

Last summer, my son and his friends hatched a plan to sell rocks at the end of our driveway.  Overlooking the statistical probability they would make their fortune off something they just dug up out of the ground, I offered to post it on Facebook, and the plan took off—let’s take some photos, oh, we could make some signs, and we are definitely going to need this beach umbrella!  They had things strewn all over the driveway.  Then, lemonade was added to the product line.  Pretty soon, someone stopped to buy, then another.  Then, a teenage girl stopped.  When it came time to pay, she said, “All I’ve got it this ten dollar bill, so I guess you’ll just have to keep the change.”  It was obvious what she was doing.  Here was a teenager, giving away ten dollars for a quarter cup of lemonade—not because it was worth ten dollars, but because the effort of those kids was.  In the end, each of the kids went home with about $7.00—a veritable fortune to 6-9 year olds.  A success!

Sometimes success comes from hard work and a great idea.  Other times, it comes out of persistence and a bit of luck.  But the most important ingredient?  Creativity.  Something that gets noticed.  Something that prompts a teenage girl to stop.  Something that inspires her to give you $10 for something that’s worth 25 cents because she believes in what you’re doing.

Most kids learn about selling by participating in one of the gazillion fundraisers that are often required for participation in the activity.  While the success of many organizations depends on fundraising, these programs fail to motivate or teach kids anything of value.  They learn how many things they have to sell in order to receive some cheap toy, how to march out with a prepared sales method.  Sadly, these activities squeeze them into a box where they learn a contrived set of skills, and do little but promote materialism. 

The system does not teach our kids creative ingenuity or entrepreneurship; it hands them a standard playbook and expects them to navigate a very complex world, which would work—if we were ants. 

Scientists who study ant colonies have long known that the ants will collectively find the shortest way to a food source even when an obstacle is encountered.  When an ant runs into a brick wall, he will turn right or left, find his way to the food source and the rest of the colony will soon follow.  The process, known as stigmergy, allows ants to communicate via pheromones as basic clues to the complex situations and environments ahead.  Biologist Deborah M. Gordon explains that individually, ants can’t really accomplish much, but together, they can do amazing things.  “As individuals, ants might be tiny dummies, but as colonies they respond quickly and effectively to their environment.  They do it with something called swarm intelligence,” she says. (http://ngm.nationalgeographic.com/2007/07/swarms/miller-text).

“Tiny dummies”.   It’s as if the colony has one mind.

But swarm intelligence works in the animal kingdom because they are all after the same goal.  We humans are all over the place in the goal department.  As much as we’d like to rely on the colony to get us to the food source, it probably won’t.  We have to break out of the swarm, and—it’s a cliché but ever so true—start thinking outside the box.  And that means being creative. We have to re-examine everything from how we educate our kids to how we manage our lives, our careers and our businesses. 

What if letting kids express their creativity is more important than we think?  According to a report in The Chronicle of Higher Education, success on the writing section of the SAT is a fairly accurate predictor of first year college success (http://chronicle.com/article/Writing-Test-Found-to-Be/40867).

But writing’s influence goes even deeper than that.  Michael S. Hopkins, editor of MIT Sloane Management Review, cites a a 2002 data study of the Gwinnett Public School System near Atlanta, Ga. which revealed that the best predictor of graduation was successful completion of Algebra I in high school.  Amongst those who’d previously failed at math, creative writing in eighth grade was the best predictor of success in Algebra I.  Those students who excelled in creative writing in the eighth grade were more likely to successfully complete Algebra I, as well as graduate (Lavalle)!  Conclusion?  Creative writing is pretty darn important.

After teaching freshman college writing for over fifteen years, I’ve learned that it is arguably the most dreaded subject amongst students.  Perhaps it’s most dreaded because it’s also the most volatile—after all, there are a million ways to write about a subject. It could get messy and take a really long time, and our kids, steeped in the box mentality of a standardized educational system, just aren’t prepared for that.  They are afraid to jump in.

But it’s worth it.  Jumping into that unpredictable space will take us places.  Creativity may be way more important to success than we ever imagined.  Maybe thinking outside the box means placing more emphasis on writing at the junior high level.  Maybe if we start emphasizing true creative expression in kindergarten, kids will not only be better equipped to master basic skills, but also the myriad of challenges they will face in college, and in life.  I say, “Let them get messy!”

**

LaValle, Steve, Eric Lesser, Rebecca Shockley, Michael S Hopkins, Nina Kruschwitz.  “Big Analytics and the Path from Insights to Value.”   MIT Sloan Management Review. Cambridge: Winter 2011. Vol. 52, Iss. 2; p. 21 .

The $10,000 Question

A few nights ago, I found myself literally mesmerized by an episode of the Animal Planet series, Fatal Attractions, a show about people who have exotic animals as pets.  The program featured two people who kept venomous snakes in their homes.  Both of these individuals had a long standing attraction to reptiles going back to childhood.  To be brief, one of them got bitten by his pet Cobra and survived; the other one got bitten by her pet Gaboon Viper and died.  (At this point, if you are like me, you are probably cringing at the mere thought of it).  Like many people, I have an intense dislike of snakes.  I get freaked out even looking at pictures of them.  So, it was an odd and slightly twisted curiosity that I sat there, in my comfy socks and pajamas, watching a program about people who have the creepy creatures as pets.  Honestly, I think I was freaked out to the point of passive, near-comatose viewing.  But, by the end of it, I was actually starting to think, of all things, about destiny.

I wasn’t particularly surprised to learn that there are crazy people in the world, those whose judgment is so defunct that they have pets capable of killing them with a single bite, those who completely bypass the boundary of sanity by free handling lethal snakes.  We live in a weird world.  These things don’t really shock me.  What intrigues me is that the fate of both of these people seemed eerily pre-determined.  Both showed very clear signs early in life—by say, age five or six—that they had a near abnormal interest in reptiles.  The families of both individuals indicated the early fascination with stories, photos of both children, holding various reptiles.  They were ostracized and ridiculed for their hobby their entire lives.  That childhood fascination morphed into an unnatural obsession for these individuals, and for one of them, the result was fatal.  It is also interesting to note that both of them believed they were special, that they held some special ability to connect with these animals; the woman even believed she was immune to venom. 

The whole story makes me wonder:  Do people have a special calling, and what constitutes success in life?  While I don’t believe that poor woman was put on earth for the sole purpose of picking up a poisonous snake, getting bitten, and dying, I do believe she had a unique tendency toward working with snakes.  She was also somewhat of a snake expert.  She had researched, studied and observed them her entire life.  She was training for a job at the local zoo.  Snakes were her simply her niche and it appeared to make her happy.  She chose a field that she loved, made it her career, pursued it to her death.  Success?

Did her destiny somehow originate in the way she was wired?

I am reminded of Phillipe Petit, a French daredevil who crossed between the Twin Towers on a high wire in 1974.  Petit survived his stunt, only to be arrested for his actions.  He went on to perform high wire acts throughout his life.  He continues to give lectures and workshops on various topics, and he has received numerous accolades and awards.  The man’s 1974 journey is featured in the 2008 documentary Man on Wire.  It is one of the most fascinating films I’ve ever seen.  I challenge anyone to watch it and not believe, wholeheartedly, in the concept of destiny by the end of the film.  Petit was, without a doubt, meant to be the man who walked a wire hundreds of feet in the air, high above the streets of New York City.  No one had ever done it.  Most likely, no one else ever will.  He had achieved his unique destiny.  Had he fallen to his death, he would have still met that destiny, in another way.  He would have still been the lone man on that wire.

I have thought a lot about this topic over the last few years.  It is exciting to think about my own destiny, but that excitement is multiplied exponentially when I look at my children.  It is exciting, but also daunting.  What if my child was meant to do something I don’t particularly like?  What if—God forbid—he  was designed to do something dangerous?  What if he was made to free solo rock climb, base jump, or build skyscrapers?  How do I prepare my child for the area in which he will inherently succeed?

Is talent something we are born with it?  Is it earned or learned?  Probably a combination of things.  In Malcolm Gladwell’s book, Outliers, he introduces a concept he calls the 10,000 hour rule, which basically says that people who are really successful in anything have put in at least 10,000 hours doing it.  To give you an idea how long that is, there are 8,760 hours in a year.  If you played basketball for 24 hours straight, every day for 416.66 days, you would reach the 10,000 hour threshold.  Realistically speaking, if you put in five hours a week playing basketball, it would take you thirty-eight years to reach the threshold.  Double the number of hours per week, and you reach it in just under twenty years.  For an eight year old kid to reach the threshold by the time he is twenty, he would have to put in a whopping 16 hours per week.  While Gladwell writes about other factors that influence success, such as being in the right place at the right time, and inborn talents, he believes the 10,000 hour rule is a common denominator, demonstrated again and again in the careers of many successful athletes, business people, and entertainers.  In other words, talent and success take a lot of hard work.  We aren’t just born with it.

These concepts could revolutionize the way we educate our children.  What if our kids had the opportunity, early in life, to develop in areas most suited to their interest and aptitude?  My child has a strong interest in rocks, for instance.  What if he could embark on and educational path custom fit with geology at the helm?  What could he accomplish by the time he goes to college?  If we espouse the notion that everyone has a unique calling, do we allow the hours and experience that, according to Gladwell, might seal the deal?  How far do we go?  Do we push one area to the neglect of others?  Do we allow our children to pursue areas that we don’t particularly like or value? 

The element of risk is astounding, isn’t it?  We can put in 10,000 hours painting pictures that will never see the light of day, 10,000 hours climbing mountains, making sculptures, or studying rocks, and these activities may never earn us a dime.  If our chosen area is a dangerous one, we may even die doing it, fall to our death doing what we love.  And the only question that will remain—the $10,000 question—is this:  Did we succeed?  

-Melissa Dereberry

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